Final Cut Pro X، فاینال کات پرو

Minimum
System Requirements

• OS X v10.9 or later
• 4GB of RAM (8GB recommended for 4K)
• OpenCL-capable graphics card or Intel HD Graphics 3000 or later

• 256MB of VRAM (1GB recommended for 4K)
• 3.5GB of disk space

Application

• External monitoring of video and audio with third-party Thunderbolt and PCIe devices, or via HDMI on select Mac computers
• 64-bit architecture to take advantage of more than 4GB of RAM
• Background rendering using GPU and CPU
• ColorSync-managed color pipeline
• High-precision floating-point render in linear-light color space
• Uses Grand Central Dispatch to tap into all available processors

• Full-screen, real-time preview playback of SD, HD, 2K, 4K, and 5K media
• Customizable keyboard
• Full Unicode support
• GPU-accelerated exporting
• Full-screen view in OS X Lion and later

Editing and
Timeline

• Multicam editing with automatic sync and support for mixed formats, mixed frame rates, and up to 64 camera angles
• Magnetic Timeline automatically keeps material in sync, prevents clip collisions, and eliminates gaps
• Clip Connections keep secondary material in sync while trimming and moving the Primary Storyline. Press a modifier key to keep Connected Clips stationary while slipping, sliding, or moving clips in the Primary Storyline.
• Compound Clips allow complex compositions to be simplified into a single clip. Compound Clips are automatically saved to the Browser for easy reuse, and changes to Compound Clips actively update in all projects where they have been used.
• Auditions combine multiple clips into a single clip to see alternative takes, color grades, or effects in context
• Duplicate a clip inside an Audition for comparison of different effects on the same clip
• Edit while importing media in the background from multiple sources
• View material in Filmstrip or List view with a mini-filmstrip and metadata columns
• Skimming functionality enables fast viewing of large amounts of material
• Create projects with custom frame sizes
• Mix frame sizes, frame rates, and formats in the same timeline up to 5K in real time
• Edit at 23.976, 24, 25, 29.97, 30, 50, 59.94, or 60 fps
• Create the correct project setting with the first edit
• Snapshots enable quick copies of a project for versioning
• Insert, Overwrite, Replace, Append, and Connect with keystroke or drag and drop
• Extend edit to Skimmer position
• Split edits with J and L cuts in the timeline
• Blade audio in J and L cuts

• Dual viewers for matching action between source material and edited timeline
• Direct access to iTunes, iMovie, iPhoto, and Aperture through Media Browsers
• Timeline Index for timeline navigation and the selection of items based on text searches and other important metadata
• Position tool for moving and deleting media in the timeline and leaving a gap
• Clip Markers that include to-do items that can be checked off when tasks are completed
• Snapping to Playhead, Skimmer, Clips, and Markers
• Replace with Gap
• Lift from Primary Storyline
• Create Storyline to consolidate B-roll into a single unit
• Insert Placeholder
• Insert Gap
• Numeric entry of precise clip durations
• Blade tool and Blade All command for adding edits
• High-quality, real-time vectorscopes, waveforms, and histograms for both Viewer and Event Viewer. Vertical placement of scopes below viewers optimizes onscreen space.
• Record Audio tool for adding narration
• Six Clip Appearance presets for timeline display
• Multi‑Touch gesture support
• Organize, view, mute, and export based on automatically assigned or custom roles metadata
• Customize project start time
• Join Through Edit command removes bladed cuts in the timeline
• Indicator dot on playhead can be used for autoselection of effects